Dave Rorschach wrote:
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This sounds a good topic to discuss so lets have a bash. There seems to be a theory that the figure in LDV's last supper who looks remarkably like a woman is an effeminate John. What I want to know is, who first came up with this theory, where did it originate, where can i find references in the bible, gnostic texts or any other literature thats proves John was effeminate?
Can someone point me to Leonardo's notes which explain he was definately painting an effiminate John?
I've been told that I suffer from of lack of education concerning this subject so C'mon guys educate me and show me all the proof I need to be converted to the sexy John theory.
I won't accept hearsay or any notion coming from any dude residing in the Vatican throwing darts at pictures of women.
I took the above to be a genuine attempt to try and understand some of what you are so keen to discuss. So I replied with:
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There is no 'theory' that 'John' was effeminate. There is however a belief that 'John' was youthful. And the standard way to denote youth in certain paintings was to portray the male character effeminately. As for the 'theory' that 'John' was young, the answer is fairly straightforward. By the 2nd century some 'Church fathers' believed that the Fourth Gospel was the work of John-Z, who was believed to have died at the age of 94, sometime in the early 2nd century. So, if for example he died in 110AD, and Jesus died in 30AD, John-Z would have been a 14 year old youth at the supposed event known as the Last Supper. And whether any of that is true or not is essentially irrelevant to the point under discussion. This is a tradition that began to develop very early in Church lore and explains why the Beloved Disciple was believed to be, and generally portrayed as, youthful.
In response Dave Rorschach wrote:
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What a load of unfounded old tosh.
You cannot base an entite theory on hearsay and old wives tales.
There are no assumpstions in history that John was either youthful of effeminate, it doesn't cite it in any of the four Gospels, in any Gnostic text or anywhere is history.
The only possible reason for an effeminate John written in antiquity was because the author of the fourth Gospel was the beloved diciple and the RCC decided in had to be a male.
That made John effeminate by definition but it didn't make him young. The fact that early Christian writers changed MM into John actually embarrassed themselves because it suggests the Lord is homosexual.
This has nothing to do with beliefs, old wives tales and hearsay, it's to do with who authored the 4th Gospel.
You can fantasize about a young effeminate John as much as you like but unfortumately there is no reference to it in any scripture.
Sorry Dave, you are confusing me! I assume your 'or anywhere is history' should read 'or anywhere else in history'..! Are you claiming that there was no early tradition that John-Z was youthful... or are you claiming that the tradition itself is inaccurate?
Or do you even know what it is you are claiming? I'm beginning to think that you have absolutely no idea how any of this 'theory'/debate stuff actually works.
Dave Rorschach wrote:
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I have no time for arseholes who continually try to provoke.
He started his reply with 'Dave Rorschach wrote:'
He will get back some of his own medicine plus a little interest until he dicides to behave himself.
I did indeed start my reply with 'Dave Rorschach', and I finished it by signing off as TOOT-CS...which is your name for myself, Tim, Thomas...and presumably any one else who doesn't argree with your nonsense.
Dave Rorschach wrote:
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You cannot base an entite theory on hearsay and old wives tales.
Roger wrote:
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But apparently... YOU can!
The irony here is that Dave's claims are not even backed up by 'hearsay and old wives tales'. They are based solely on his internal interpretation and his feelings about images he believes he sees in various paintings.
Which brings me back to a question I have been asking him for several weeks now, which he has steadfastly refused to answer...
Dave, what is your opinion about the sad pig and Garfield symbolism 'hidden' in the painting we were discussing a few weeks back. I think it is the painting where you believe the artist painted Christ in a petticoat to 'secretly' portray that He was a She. I think the 'sad pig' image is crucial to the claims that you have been making on this forum, and also the anger you have been 'feeling' against those who do not 'see' what you 'see'. Please address the issue of the 'sad pig' and Garfield, so we can move on.
Dave Rorschach wrote:
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The church rather than admit that the author of the 4th gospel could in fact be a female has scraped the barrel so deeply that they have actually suggested in the cross fire that their good lord was in fact homosexual.
Why do you believe that suggesting that Jesus was homosexual was 'scraping the barrel so deeply'? Can you explain what you mean? And what was it you were ranting about? Something about 'vile, sexist, prejudice'...
Signed by,
TOOT-CS