BOOK REVIEW
Looters
Jenifer Neils
LOOT: The Battle over the Stolen Treasures of the Ancient World.
Sharon Waxman. xvi + 414 pp. Times Books, 2008. $30.
WHO OWNS ANTIQUITY? Museums and the Battle over Our Ancient Heritage.
James Cuno. xl + 228 pp. Princeton University Press, 2008. $24.95.
On April 19th, 2005, a Russian Antonov 124 transport touched down on a
runway in Axum, Ethiopia. Its cargo was the middle section of a
1,700-year-old, 78-foot-tall, 160-ton granite obelisk, which had been
removed from Ethiopia in the 1930s by Benito Mussolini, who erected it
in front of his newly built Ministry of Italian Africa in central
Rome. The cost to the Italians for disassembling this monument and
transporting it back to Ethiopia in three parts was reportedly $7.7
million.
The obelisk of Axum was not the only piece of cultural property
returned to its country of origin in 2005. The British Museum, which
since 1944 had had in its possession a red cedar ceremonial mask that
Kwakwaka'wakw tribesmen of British Columbia had worn at potlatches in
the early 20th century, sent this artifact back to British Columbia on
long-term loan to the U'Mista Cultural Society in Alert Bay.
These two voluntary acts have garnered little publicity and rate
barely a mention in the proliferation of new books devoted to the
"battles" over heritage. Yet they demonstrate that the tide is turning
in favor of countries and peoples who seek to reclaim objects that
they consider to be their cultural patrimony, regardless of whether
the object was removed legally.
Loot, by journalist Sharon Waxman, and Who Owns Antiquity?, by James
Cuno, take decidedly different approaches to the complex problems
relating to the archaeological material that is at the forefront of
the disputes over cultural property. Waxman focuses on spectacular
cases involving high-profile museums—for example, the Metropolitan
Museum of Art in New York and the J. Paul Getty Museum in Los Angeles,
which have recently returned valuable works of ancient art to Italy,
Greece and Turkey. Having previously authored a book on maverick
Hollywood directors, she here turns her attention to some of the more
flamboyant personalities of the antiquities world, detailing the
exploits of notorious thieves (or saviors of the past, depending on
your perspective) as well as those of contemporary players—namely,
well-known museum directors, curators and dealers.
Cuno, who is director of the Art Institute of Chicago, is the only
person holding such a post who actually writes books defending the
mores of his profession. His approach is more scholarly than Waxman's
but also more irritating, because the book consists mainly of a
diatribe against increasing nationalism throughout the world, which he
believes has prompted the actions that archaeologically rich countries
have taken to protect and retain their antiquities. Although he
strives to be ecumenical, pulling his examples from China, Nigeria,
Turkey and Italy, his arguments are one-sided and hence surprisingly
narrow. He supports the now outdated and largely rejected practices of
museums that acquire antiquities without documented provenance. And he
utterly fails to provide any other perspectives, especially those of
archaeologists.
Both books deal with personalities. Waxman retells the much-rehearsed
story of Lord Elgin, the ambassador to the Ottoman empire who
despoiled the Acropolis not only of the well-known Parthenon
sculptures but also of random columns and sculptures from other
monuments of classical Athens; these are now the jewels of the British
Museum. Cuno describes the travels of more recherché individuals, such
as Langdon Warner, a Harvard professor of Chinese art. In 1924 Warner
visited the Mogao cave temples in northwest China, which have the
largest collection of Buddhist mural art in the country. He came home
with a Tang Dynasty stucco sculpture of a kneeling bodhisattva from
one cave (this was a purchase he negotiated) and 12 painted wall
fragments from another (Cuno says that these were "rather awkwardly"
removed). Today, both the Acropolis and the Mogao caves are World
Heritage sites.
The value of these archaeological sites resides not only in their
artistic achievements, but also in the wealth of information they
provide about the culture of their age. The Acropolis once had
inscriptions carved on marble slabs detailing the transactions of the
treasury, and the Mogao caves contained hundreds of Buddhist
manuscripts; much of this site-specific material was removed long ago
by European travelers and collectors. That's a great shame: Had these
sites remained more complete, archaeologists would have more readily
been able to understand their impressive past.
Both books organize their material along geographical lines. Waxman
devotes part 1 of Loot to Egypt and its despoliation by the likes of
Napoleon (under whose command the Rosetta Stone was brought to light)
and Giovanni Belzoni, the Italian weight lifter who discovered the
Temple of Abu Simbel. Belzoni also managed to cart off from Thebes a
colossal head of Ramses II, which now resides in the British Museum.
Part 2 is devoted to Turkey and the intriguing tale of the Lydian
hoard, which consists of 219 Greek gold and silver objects that the
Metropolitan Museum of Art bought in the late 1960s. The museum left
these to cool off in its basement for years before exhibiting them, at
which point Turkey sued for their return. Part 3 deals with Greece and
its long controversy with the British Museum over the marbles taken by
Lord Elgin. And the focus of part 4 is Italy and its pursuit of the
looted objects the Getty Museum acquired, as well as the ongoing
prosecution in Rome of the Getty's former antiquities curator.
Cuno covers some of the same ground (his third chapter deals with
Turkey), but he goes farther afield (China) and also delves more
deeply into the rise of nations such as Italy, Turkey and Iraq. He
attempts to demonstrate that their cultural identities are modern
constructs. He points out, for example, that the Egyptians formerly
thought of themselves chiefly as Muslims and only more recently as a
people whose ancestors were responsible for the pyramids. He seems to
argue that because these identities are recent and nationalistic they
should have no bearing on claims for antiquities, which he believes to
be the heritage of all.
rest at
http://www.americanscientist.org/bookshelf/pub/looters